ArtandCulture, Bologna

Visiting the Galleria dell’Accademia, you're most likely target are the magnificent giant marble sculptures created by Michelangelo, and above all, the glorious David. If you explore the museum with a bit more time, the Accademia will offer you much more in the less crowded halls, satisfying any curiosity for botany, music, art symbols and painting techniques. The Accademia welcomes the visitor in the Hall of the Colossus, name taken from the huge models of the Dioscuri of Montecavallo which were displayed in this large hall in the 19th century. It now hosts in the center the plaster model for the stunning marble sculpture of Giambologna’s Rape of the Sabine Women. Giambologna prepared the model as an exercise in creating a tightly-knit group of three figures from just one large block of marble. He did not actually name the sculpture, it was meant to be as a “simple” exercise of skill and it became the first example of such magnificent talent. https://www.visitflorence.com/florence-museums/accademia-gallery.html

Florence's cathedral stands tall over the city with its magnificent Renaissance dome designed by Filippo Brunelleschi, with the baptistery right across. The cathedral named in honor of Santa Maria del Fiore is a vast Gothic structure built on the site of the 7th century church of Santa Reparata, the remains of which can be seen in the crypt. The exterior is covered in a decorative mix of pink, white and green marble. The interior, by contrast, is pretty stark and plain but quite enjoyable on warm summer days since the temperature inside tends to be cooler. Please note the clock above the entrance on the inside of the church. It was designed in 1443 by Paolo Uccello in accordance with the ora italica, where the 24th hour of the day ended at sunset... and it still works! https://www.visitflorence.com/florence-churches/duomo.html

The Piazza della Signoria has been the center of political life in Florence since the 14th century with the prominent Palazzo Vecchio overlooking the square. It was the scene of great triumphs, such as the return of the Medici in 1530 as well as the Bonfire of the Vanities instigated by Savonarola, who was then himself burned at the stake here in 1498 after he was denounced by the Inquisition as a heretic. A marble circle inscription on the piazza shows the location where he was burned. The sculptures in Piazza della Signoria bristle with political connotations, many of which are fiercely contradictory. The David (the original is in the Galleria dell'Accademia) by Michelangelo was placed outside the Palazzo Vecchio as a symbol of the Republic's defiance of the tyrannical Medici. https://www.visitflorence.com/florence-monuments/piazza-della-signoria.html

Palazzo Vecchio offers Roman ruins, a Medieval fortress and amazing Renaissance chambers and paintings. A microcosm where art and history have been indissolubly bound for centuries. Palazzo Vecchio is the main symbol of civil power for the city of Florence, whose original project is attributed to Arnolfo di Cambio. Construction on the solid fortress began in 1299 above the ruins of the destroyed Uberti Ghibelline towers, testimony of the final victory of the Guelph faction. The entire construction also rests on top of the ancient theater of the Roman colony of Florentia (dating back to the first century A.D.), whose ruins can be admired in the underground level. This area can be visited with a separate ticket or a combination ticket which includes the Palazzo Vecchio Museum and the Archaeological site. The area is suggestive organized with information and an interesting film to help you understand exactly what you are looking at underground. https://www.visitflorence.com/florence-monuments/palazzo-vecchio.html

Like a very precious treasure chest, the Uffizi Gallery will grant itself to visitors just a little bit at a time: from the initial uncertainty on where to get tickets, getting through lines to get inside and at the metal detector, then taking two flights of Renaissance-era stairs before you arrive at the actual entrance to the museum. https://www.visitflorence.com/florence-museums/uffizi-gallery.html

This enormous palace is one of Florence's largest architectural monuments. The original palazzo was built for the Pitti family in 1457, designed by Filippo Brunelleschi and built by his pupil Luca Fancelli. The original construction consisted of only the middle cube of the present building. In 1549, the property was sold to the Medicis and became the primary residence of the grand ducal family. The palace was then enlarged and altered; from 1560, Bartolomeo Ammannati designed and added the grandiose courtyard and two lateral wings. Today, the Pitti Palace houses some of the most important museums in Florence: on the first floor is the Palatine Gallery, containing a broad collection 16th and 17th century paintings (including works by Raphael), and the Royal Apartments, containing furnishings from a remodeling done in the 19th century. On the ground floor and mezzanine is the Treasury of the Grand Dukes (formerly known as the the Silver Museum or Museo degli Argenti) displaying a vast collection of Medici household treasures, from table silverware to precious stone vases, rock crystals and precious jewelry. The Gallery of Modern Art is on the top floor, holding a collection of mostly Tuscan 19th and 20th century paintings. https://www.visitflorence.com/florence-museums/pitti-palace.html

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area. https://www.discovertuscany.com/pisa/certosa-di-calci.html

Situated in Piazza Bra, the amphitheatre of Verona was built in the first half of the 1st century A.D. (between the end of Augustus‘ reign and the beginning of Claudius). http://www.tourism.verona.it/en/enjoy-verona/art-and-culture/monuments-and-sights/arena-roman-amphitheatre

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

The Campo dei Miracoli in Pisa, or the Square of Miracles, was proclaimed a World Heritage Site by UNESCO 25 years ago. The square is not located in the center of the city as you might imagine but to the north-west of the fortified wall, almost out of the town; there probably wasn’t enough space to use at the time the project got underway so this is the site decided upon. Since the times of the Etruscans, the three structures found in the piazza have been considered central to religious life, symbolizing the main stages of a human’s life https://www.discovertuscany.com/pisa/piazza-dei-miracoli.html

Piazza dei Cavalieri and Piazza Dante Alighieri are the centres of student life and in the streets around about there are many typical and affordable restaurants. In Piazza delle Vettovaglie there is the historic food market. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

The exuberant Santa Maria della Spina Church in Pisa, Italy, is a beautiful work of Gothic fantasy rendered in miniature, that sits on the banks of the Lungarno Gambacorti. The eye-catching Santa Maria della Spina was originally a simple oratory for seamen, who would come here to pray for a safe return. The church was originally closer to the river bank. The church needed to reflect the value of the relic that it contained, so the best artists of the time went to work on it. These included Lupo di Francesco, Andrea Pisano with his sons Nino and Tommaso, and Giovanni di Balduccio. The “Madonna and the child with two angels” in the tabernacle on the façade is attributed to Giovanni Pisano, an important master who also worked at the Cathedral. The sumptuous decorations on the right side and in the tabernacles were made in the workshops of the Giovanni Pisano school. In contrast with the outside, the interior is quite ostentatious. It’s essentially one open space, at one end of which stands the “Madonna of the Rose” by Andrea and Nino Pisano, one of the most notable achievements of Gothic sculpture. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/santa-maria-della-spina-church/

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The splendid Teatro Olimpico was Palladio’s greatest urban work, and one of his last. He began the project in 1580, the year of his death at the age of 72; it would be completed 5 years later by his student Vicenzo Scamozzi. It was the first covered theater in Europe, inspired by the theaters of antiquity. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The Museo Civico, the city museum of Siena is situated at the heart of the city, in the first floor of the city hall known as Palazzo Pubblico in the main square of Piazza del Campo. Palazzo Pubblico is still used for its original function, for the municipal offices of Siena. https://www.discovertuscany.com/siena/what-to-do/museo-civico-siena.html

The Accademia Museum (Gallerie dell'Accademia) is part of a complex including the church of Santa Maria della Carità, the homonymous Scuola Grande (the original entrance is now the main access to the museum) and the Monastery of the Canonici Lateranensi (the complex was in use until the beginning of the XIX century). The gallery take its name from the Accademia delle Belle Arti (Art Accademy) who opened the building and shared the sites until few years ago (2004). The operas preserved inside the Gallery are many and of inestimable value. Most of the painting comes from a period between the XIV and the XVIII century, the most important authors are Carpaccio, Bellini, Tintoretto, Tiziano. Also many sculptures and drawing can be admired, amongst them the vitruvian man by Leonardo da Vinci, exposed only few periods. Initially the museum was operating as didactic and restoration of art operas centre. http://venice-tourism.com/en/places/dorsoduro-district/accademia-gallery-museum

The Fenice Theatre is one of the best known not just in Venice but worldwide. It was designed in 1790 by Giannantonio Selva commissioned by a rich and famous drama company. The building was subject of criticism mainly for the positions (in saint Mark’s area, campo San Fantin) and for its Neoclassic style. During the centuries it has been stage for many world premiere of operas become part oh the history, Gioacchini, Rossini, Verdi and more Donizetti, Bellini, Stawinsky… All of them gave their best creation on the stage of this great theatre. The theatre itself has been spectator of the city life, he known the Serenissima Republic, Napoleon, the Austrian empire, the reign of Italy and the Italian Republic. Actually the theatre hosts an important Operas Season, an International Festival of Contemporary Music and the new year eve concert. http://venice-tourism.com/en/places/san-marco-district/la-fenice-theatre

The Correr Museum offers a real opportunity to know the Art and History of Venice. In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, "Procuratie Nuove", which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. In these spacious rooms, currently there are collections that document various aspects of the city's history, such as public institutions, daily life, naval achievements and local festivals. On the second floor is the exhibition of the Art Collection covering the period from the beginning of Venetian painting to the 16th century; also here we can find other incomparable masterpieces. https://www.venice-museum.com/correr-museum-piazza-san-marco.php

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

The current auditorium of Teatro Grande was designed by architect Luigi Canonica and built in 1810. Girolamo Magnani decorated it in 1862. http://www.bresciatourism.it/en/what-to-do/teatro-grande-brescia/

The National Gallery of Umbria is organised following a chronological exhibition itinerary structured in 40 rooms on a total surface of 4.000 square meters. It houses one of the most complete collection of artworks in Italy dated between XIII and XIX Centuries, with works by Duccio di Boninsegna, Benedetto Bonfigli, Bartolomeo Caporali, Gentile da Fabriano, Beato Angelico, Benozzo Gozzoli, Piero della Francesca, Pintoricchio, Perugino, Orazio Gentileschi, Pietro da Cortona, Gian Lorenzo Bernini and others. http://turismo.comune.perugia.it/poi/galleria-nazionale-of-umbria-000

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

The Teatro Donizetti covers a total area of 3200 square meters. The hall’s dimensions respect the original 1786 design: it measures 360 square meters and it’s able to seat 532 people. There are 120 boxes, divided into three tiers, totalling 1154 seats. http://www.visitbergamo.net/en/object-details/3019-donizetti-theatre/

On display in Palazzo Rosso, a noble residence decorated with valuable furnishings and frescoes by Liguria's greatest painters of the 17th Century, is a rich gallery of paintings, collected over more than two centuries by the noble Brignole-Sale family. http://www.visitgenoa.it/en/strada-nuova-museums-palazzo-rosso

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

The main attraction nearby is Castiglione della Pescaia, a very attractive town consisting of a fishing boat harbour dominated by a mediaeval castle. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

Dedicated to the so-called "right bank", that is, the area of the historic centre that unfolds to the right of the cathedral of San Lorenzo, this itinerary begins in Piazza Caricamento, where goods were once unloaded and loaded in the old harbour. Here, you'll find Palazzo San Giorgio, today home to the Port Authority. http://www.visitgenoa.it/en/itinerary-la-rive-droite

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

Brera is synonymous with the artistic heart of the city. In fact, as you stroll along the streets of this ancient district, you cannot help but be enchanted by its almost surreal atmosphere boasting small artisan’s workshops or quaint stores selling canvases and paints. Additionally, Brera is home to the impressive Accademia di Belle Arti, where visitors can admire Milan’s famous painting collection at the Pinacoteca (the Brera Picture Gallery), the historic Biblioteca Nazionale Braidense (Braidense National Library) , the Museo Astronomico (The Astronomical Museum), the oldest scientific research institute in the city and the Giardino Botanico (Botanical Gardens), an evocative green space located. https://www.wheremilan.com/sightseeng-brera/welcome-to-brera-district/