ArtandCulture, Carcassonne

A museum rich in sculptures, the Musée des Augustins has a unique collection of Roman sculptures and also masterpieces from the area’s Gothic era as well as numerous 19th Century sculptures representing the vitality of Toulouse’s artistic creation. http://www.toulouse-visit.com/offre/fiche/patrimoine-culturel/musee-des-augustins-musee-des-beaux-arts/PCUMID031FS00061

A short hop from the Pont Neuf, a monumental stone doorway hides a masterpiece of the Classical Renaissance. You can even take tea here in the summer, if you are brave enough to face the lions and warriors… The sumptuous courtyard of honour is the backdrop for two façades punctuated by antique columns and linked by a stairway tower. Everything matches the level of ambition of the man that commissioned it, Pierre d’Assézat, merchant and Capitoul of Toulouse, who made his fortune from pastel in the XVI Century. Bequeathed to the city in 1895, it was then home to the academies and learned societies where the Floral Games were created in 1323. It was this exceptional venue that was selected by the Argentine Georges Bemberg in which to display his collection of art, which you can explore at the foundation that shares his name. Beneath the loggia, you can quench your thirst as you contemplate the courtyard and façades of the most beautiful Renaissance mansion house of Toulouse. https://www.toulouse-visit.com/hotel-d-assezat/toulouse/pcumid031v5015wt

This museum that brings together works from the Renaissance and Impressionist masterpieces can be found in the most beautiful mansion house of the city: a feast for the eyes. This foundation housed in the Hôtel d’Assézat and created by Argentinian collector Georges Bemberg brings together numerous works of western art from the Renaissance to the early XX Century. In the Renaissance-style salons, the first floor brings back to life the interiors of different eras by combining period furniture, tableaux and objet d’art. The 2nd floor is given over to modern paintings and it is important not to miss the 35 tableaux by post-impressionist Bonnard. Among the artists on display we find Guardi, Cranach the Elder, Veronese, Titian, Fantin-Latour… In order to fully appreciate this visit, lift your gaze and admire the well-preserved XVI Century ceiling on the 1st floor. https://www.toulouse-visit.com/fondation-bemberg/toulouse/pcumid031fs0004c

In Toulouse there is no Mairie, but rather a majestic Capitole! An emblematic building, it is home to the town hall, a theatre and rooms of state where you can bump into celebrities from the city. The seat of municipal power since its construction, commissioned by the Capitouls in the XII Century, transformed and embellished in every era, La Capitole shows its majestic Neo-Classical façade to the unmistakable square that shares its name. Its walls could tell of the great moments in the history of Toulouse: from the Cathar episode to the creation of the Floral Games, from the Counts of Toulouse to the siege of the city. On the first floor, you cross magnificent reception rooms that are decorated with the Allegories of Love by Paul Gervais, 10 giant canvases by Henri Martin and, notably, the Salle des Illustres whose paintings retrace the history of Toulouse and whose busts bring back to life the personalities that have defined the city. https://www.toulouse-visit.com/le-capitole-hotel-de-ville/toulouse/pcumid031fs000a3

The largest church (115 metres in length), a jewel of Roman art begun in 1075 and consecrated in 1096. Pilgrimage church, designed to receive the crowds of pilgrims walking towards Compostela, and to shelter a religious community. One of the symbols of Toulouse, this basilica of brick and stone is certainly imposing. Majestic and luminous, it was built between the XI and XIV Centuries in honour of St Saturnin (or Sernin), the first bishop of the city. An important stop along the pilgrimage route to Santiago de Compostela, it inspires reverence and its vast proportions are ideal for strolling past the numerous reliquaries. https://www.toulouse-visit.com/la-basilique-saint-sernin/toulouse/pcumid031fs000a1

In the centre of Millau, a town hotel from the 18th century houses the museum: 30 exposition rooms dedicated to palaeontology, prehistory and regional archaeology, as well as traditional activities of leather craft and glove-making. Palaeontology: diverse fossils including the famous skeleton of an elasmosaur. Pre-history: furniture from the palaeolithic to the monolithic. Archaeology: the most important collection of vases from the Roman Empire with the production of the Graufesenque workshops. Leather and gloves: a DVD film retraces the specific savoir-faire, rich of ancestral traditions and modern techniques enabling skins to be worked on. A recreated workshop shows how gloves were made. Free for the individuals the first Saturday of the month. https://www.tourisme-aveyron.com/en/diffusio/sites-visit/musee-de-millau-et-des-grands-causses-millau_TFO18801517986

Place de la Comédie is Montpellier's central square. Also known as l'OEuf (the Egg) because of its original oval shape, it is one of the largest pedestrian areas in Europe. http://www.montpellier-france.com/offre/fiche/place-de-la-comedie/PCULAR034V50LIGI

The Fabre museum itself is an astounding work of art, an innovative combination of classic and contemporary architecture. Today, the museum offers over 800 works, 900 engravings and 3,500 drawings in its 9,200 m² exhibit area. http://www.montpellier-france.com/offre/fiche/fabre-museum/PCULAR0340000045

The Roman amphitheatre (or arena) in Nîmes is the best-conserved of the Roman world. It was used for hunting wild animals and for gladiator combats from the end of the first century AD onwards. Many events are held there today. http://www.ot-nimes.fr/index.php?id=40&L=1

Park Guell is one of the most fantastic designs ever built by Gaudi. A landmark on its own, it features amazing views of Barcelona and plenty of modernist works. Needless to say, as soon you pass the entrance, you’ll notice right away that this isn’t an ordinary park. Curiously, Park Güell wasn’t originally intended to be a park, but rather a project for luxurious homes. In 1900, the site was just a rocky hill with nothing but vegetation around, in the vicinity of some isolated upper class country houses. The result was one of the most fascinating works by Gaudí. The intention of the project was to take advantage of the breathtaking views of Barcelona and the clean fresh air, away from the factories, in order to build a top of the line housing complex. In Park Guell, there are plenty of paths and vegetation to enjoy, but the architectural structures are the glue that holds the whole place together. https://barcelonando.com/parc-guell

The Sagrada Familia is definitely the most famous building in Barcelona. Considered one of Gaudi’s masterpieces, it’s a key attraction in Barcelona and one of the most striking monuments ever built in the world. In fact, there is absolutely no other building in the world featuring such a genius mixture between Gothic and Art Nouveau styles. Antoni Gaudí took over the project in 1883, a year after construction had begun, and completely reshaped the project to fit his unique style. Unfortunately, Gaudí died in 1926 when only a quarter of the project had been constructed. Sadly, most of the blueprints left were burned in a fire, therefore, all that’s been built ever since has been a wide interpretation of Gaudi’s architecture. Stopping over the Sagrada Familia should be top priority if you’re in Barcelona for the first time. Visiting the basilica it’s an enjoyable experience and a great way to be introduced into Gaudí’s architecture. Besides, it offers the best possible views of the surrounding Eixample District, Barcelona’s own Big Apple. https://barcelonando.com/sagrada-familia

El Palau de la Musica Catalana is the most famous concert halls in Barcelona. Squeezed between the narrow streets of La Ribera neighborhood, is one of the most fantastic buildings of the Modernista movement. https://barcelonando.com/palau-de-la-musica-catalana

In addition to Degas's masterpiece " The Cotton Office in New Orleans" , the museum presents a very fine collection of paintings from Flemish, Dutch, Italian, Spanish and French schools from the 15th to the 20th century. It is the second museum of Aquitaine by the richness of its collections. http://www.pau-pyrenees.com/home/notre-patrimoine/une-touche-de-culture/musee-des-beaux-arts

La Llotja is a monolithic construction, subdivided into three functional levels allowing it to serve different purposes. The central level is the interconnecting core, linking up the various programmes by means of the central stairway/ramp, which also provides illumination. http://www.turismedelleida.cat/viure-a-lleida-en/la-llotja-de-lleida

The Bobbin Lace Education Centre was set up in 1974. Its two main missions are to pass on the tradition and practice of bobbin lace-making and to preserve the lace heritage. The earliest records of lace-making in Velay date from the 16th century. The art briefly declined in the 17th century, after the Toulouse Parliament prohibited it. The Jesuit Jean-François Régis helped to revive lace-making and today is the patron saint of lacemakers. Over time, the Centre has acquired an international reputation. Its correspondence courses are followed all over the world, making it a reference in the field. A themed exhibition is organised in the exhibition rooms each year. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/centre-denseignement-de-la-dentelle-aux-fuseaux/

The Puy-en-Velay Cathedral, listed as a UNESCO World Heritage Site since 1998, ranks as the 2nd favorite monument of the French in the show presented on France 2 by Stéphane Bern in 2015. After a first church built in the fifth century, the cathedral was built on Mount Anis. In the twelfth century, the influx of pilgrims led to sit four spans above a vaulted porch, to compensate for the slope of Mount Anis. The entrance was made by a staircase which opened in the middle of the central nave. In the nineteenth century, the building was considerably transformed, but the six cupolas and beautiful painted decorations were preserved. From 1994 to 1999, an overall restoration allowed the restoration of the central staircase closed in the eighteenth century, the repair of interior facing and the winding of the organ with its double-sided buffet of the seventeenth century. A new altar was placed at the crossing of the transept, while the altar of the "pilgrims", against the wall, carries the "Black Virgin" who replaced the primitive statue, burned to the Revolution. https://www.lepuyenvelay-tourisme.fr/monuments-puy-en-velay/cathedrale-notre-dame/

North of the town of Le Puy-en-Velay, Aiguilhe is famous for its rock (a dormant volcanic pipe) with an astonishing and magnificent chapel dedicated to St Michael built in the 10th century. This is one of the most important pre-Romanesque and Romanesque monuments in Auvergne. Prosper Mérimée included the building in the first list of Historic Monuments drawn up in 1840. More recently, it came fourth in the list of French people’s favourite monuments in 2014. Godescalc, the Bishop of Puy, and Truannus, the dean of the chapter of Puy Cathedral, commissioned work on a chapel devoted to St Michael in 961. Godescalc was also the first French pilgrim to follow the Way of St James in about 950, inaugurating the "Via Podiensis" trail to Santiago de Compostela. The original oratory in this imposing structure was limited to today’s choir area. It was enveloped in a larger monument in the 12th century, built to follow the outlines of the rock’s summit. The extended chapel was built without foundations, and contains a nave, an ambulatory and a tribune, along with a remarkable polychrome and trefoil-shaped facade. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/rocher-et-chapelle-saint-michel-daiguilhe/

Cave dwelling-like halls, cisterns, underground stairways, olive oil mills, etc, built up and fitted out over the centuries in a big house called the "Palais Saint Firmin". Listed as a Historic Monument. http://www.avignon-et-provence.com/en/monuments/cellars-palais-saint-firmin

A fish market opened here in 1909 until 1975 when it was moved to the north of the city to the industrial port of Saumaty. The building’s interior was completely redesigned but its exterior was kept intact. The Théâtre National de Marseille was opened in 1981 by the Mayor of Marseille Gaston Defferre. La Criée was managed by Marcel Maréchal for over a decade and hosts an exciting schedule every season. Opposite the ferry boat pier lies the Bar de La Marine made famous by Marcel Pagnol. It is the main location in the “Marius, Fanny, César” film trilogy filmed at the Old Port in Marseille in the 30s. http://www.marseille-tourisme.com/en/discover-marseille/heritage/rive-neuve/

This is an old Gothic building which dates back to the 13th and 14th century. Its altarpiece is a superb example of Spanish Renaissance sculpture carved in alabaster by Damián Forment between 1520 and 1533, representing the Passion of Christ. http://www.huescaturismo.com/en/monumental-detalle/7/the-diocesan-cathedral-museum/

Created in 1897 following the meeting of the collections of the city and the Société dunoise of history and archeology, this museum of France houses eclectic collections: https://www.tourisme-chateaudun.fr/le-musee-p12.html

The Theatre La Comédie de Valence is a performance hall and events venue in the municipality of Valence (Drôme, Auvergne-Rhône-Alps). The programme varies depending on the season. https://www.france-voyage.com/cities-towns/valence-7592/theatre-comedie-valence-34242.htm

Since June 1, 2016, Bordeaux has a contemporary monument, which illustrates the city's dedication to the fruit of the vine: La Cité du Vin.The purpose of this museum is to create a space where sensory experiences are centered wholly around wine. This site is fully dedicated to this "nectar," as a living piece of French history and culture http://au.france.fr/en/discover/visit-cite-vin-bordeaux-0

Of all the public buildings in Bordeaux, the Grand-Théâtre is unquestionably the most well-known and appreciated. It stands on the site of a former temple (Les Piliers de Tutelle) that was once in the middle of a Gallo-Roman forum. The Grand Théâtre's construction was made necessary by the destruction of a performance hall in 1755. The latter was located in the outbuildings of the former town hall, near the Grosse Cloche. Architect François Lhote, assisted by Soufflot, initially proposed a project that was not accepted by the city aldermen. Eventually, Marshal de Richelieu, governor of the province of Guyenne, imposed the Parisian architect Victor Louis (1731-1800). In order to pay for the construction, the land located on the southern glacis of the Château Trompette was sold. It took more than five years to build the Grand Théâtre and, after many vicissitudes, it was inaugurated in 1780 with a performance of Athalie, a play by Jean Racine. The rectangular-shaped structure opens up onto Place de la Comédie to the west with a peristyle featuring 12 Corinthian columns supporting an entablature and a balustrade decorated with 12 statues (the nine muses and three goddesses). At the beginning, this peristyle was on the same level as Place de la Comédie. However, in the mid-19th century, it was decided to lower the level to make it easier for horse-drawn carriages to cross. The Grand Théâtre was nevertheless innovative, and Victor Louis imagined a clever oblique arrangement of stones maintained by a metal tie beam at the angles of the peristyle in order to support them. This ingenious combination became known as "Victor Louis's nail". https://www.bordeaux-tourism.co.uk/Discover-Bordeaux/Must-See/Opera-House

The Musée des Beaux-Arts of Bordeaux exhibits works from the biggest names in European art, as well as artists from Bordeaux, coming from several periods of time and various schools. http://au.france.fr/en/discover/musee-beaux-arts-bordeaux-1

This large 18th-century-style building, designed by the Brousseau brothers, used to be the town's Bishop palace. The building was also used as a fire station as well as a hospital. It was restored from the 1802 concordat, onwards into the 19th century: http://www.limoges-tourisme.com/en/What-to-see/Museums/(fiche)/the-fine-arts-museum-of-limoges-191000095-6f06ebf

Imagined by Bernard Tschumi, this building made of Limousin Douglas pine wood and wrapped in polycarbonate fits perfectly, thanks to its transparency, into the surrounding forest. With a welcoming capacity of 6,000 seats, it is dedicated to the great artistic and cultural events of the city. http://www.limoges-tourisme.com/en/What-to-see/Monuments/(fiche)/zenith-191003273-01bec22

A mix of Romanesque and Gothic styles, this thirteenth century building offers a beautiful display of 19th c. stained-glass windows produced by the Metz-based Maréchal workshop. http://www.hyeres-tourism.co.uk/land-nature-culture/culture/historical-sites-and-gardens/401717-eglise-saint-louis

A building designed by Rafael Moneo, which holds a contemporary art collection that includes artists such as Tàpies, Picasso, Kandinsky and Chillida. It is also home to a major photo collection. http://www.spain.info/en_IN/que-quieres/arte/museos/navarra/museo-universidad-navarra.html

The Museum inherited over two million pieces collected from the 16th century through today. Referred to as “the 21st Century’s Cabinet of Curiosities,” the institution’s finds relate to paleontology, mineralogy, zoology, entomology, and ethnography. http://ca.france.fr/en/discover/musee-confluences-lyon-0

The Museum of Gallo-Roman Civilisation astounds the visitor with its avant-garde architecture and carefully-chosen exhibits, nudging you to uncover more of what Lyon’s Roman, Gaul and Celtic forebears got up to. Facing the rising sun and the Alps, way up over the Confluence of Rhône and Saône, the Museum of Gallo-Roman Civilisation chronicles five centuries of the city’s history under Rome when Lyon was known as the dazzling capital Lugdunum. Dug deep inside Fourvière hill in the 5th district of Lyon, with its two huge windows overlooking its neighbouring Amphitheatre and Odeon, the Gallo-Roman Museum of Lyon is akin to a submarine, set to journey through the undergrowth and vestiges of this ancient civilisation. Step on-board and be subtly wowed by polychrome mosaics, the sarcophagus of the triumph of Bacchus, the unique Gallic Coligny calendar, a plan-relied of the ancient town, a rare circus mosaic, not to mention the Tabla Claudiana, reproducing a speech by the emperor Claudius, all set inside an avant-garde architectural experience whipped up by Bernard Zehrfuss. https://thisislyon.fr/things-to-do/museums/museum-gallo-roman-civilisation/

The Museum of Fine Arts is one of the largest French and European museums. Located in the heart of Lyon, between the Rhône and Saône rivers, it is found in a magnificent building dating from the 17th century. The collections are exhibited in over 70 rooms and offer visitors an outstanding sample of art from antiquity to contemporary art. The museum is regularly enriched, through an active acquisition policy that relies on donors, art lovers, collectors and the descendants of artists. http://www.mba-lyon.fr/mba/sections/languages/welcome

Le Jardin Rosa Mir, or the Rosa Mir Garden, located in the heart of Croix-Rousse in Lyon’s 4th arrondissement, is one of Lyon’s unique treasures, founded in the dreams of a self-taught artist. The Rosa Mir Garden is a small, originally private garden located in the courtyard of an apartment building. Created between the years of 1957 and 1977, the garden is a tribute to the creativity and artistic vision of its creator, a Spanish mason called Jules Senis Mir. Made up of pillars, basins, obelisks and pergolas sculpted from pebbles and shells, the monument pulls its inspiration from Arab-Andalusian motifs and styles. It is filled with over 10,000 plants, from cacti to perennials to roses to oregano and lemon. https://thisislyon.fr/things-to-do/historical-monuments/jardin-rosa-mir/